BCR

Poet

The genesis of my interest in Cleopatra is based on my fascination
with POWER as wielded by women throughout the ages.
The concept of women ruling the earth and shaping society in immutable ways continues to be a revolutionary idea even though it has been a fact for eons.
The exceptional woman -- a woman of legendary status --
is the  essence of  what Cleopatra is. She is an icon  for modern women
.

Barbara Chase-Riboud


Cleopatra's Chair
(1994)
Multicolored bronze over oak
100 x 126 x 110 cm
Private Collection, Paris





Cleopatra's Cape (1973)
Multicolored cast bronze plaques
200 x 150 x 150 cm
The Studio Museum, New York


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Antony & Cleopatra
The Year 40 B.C.

Whatever violence
I have done thee,
You've done to me tenfold.
And so we stand quits and quivering,
Two fools,
In love without faith.
For the honest love of one other
Has made every man hate
The dishonest love of another.
For reasons of our own
That tender thread
We've lost
Now I'll leave
You alone.

Cleopatra's Marriage Contract (1973)
Handmade paper, pencil, wax, cord, ink
75 x 120 cm
Palladium Collection, Paris

POETRY & SCULPTURE COINCIDE
THE CLEOPATRA SERIES

The Cleopatra series represents a 20 year
continuum -- the latest creations will be presented in the summer of the year 2000

POETRY BOOKS BY BARBARA CHASE-RIBOUD

Collected Poems (2005 -- Under Press)
Collection of the complete poems of Barbara Chase-Riboud from 1974 to 1999, including 50 never published

Portrait of a Nude Woman as Cleopatra (1987 -- William Morrow, NY)
Winner of the Carl Sandburg poetry prize as Best American Poet

From Memphis and Peking (1974 -- Random House, NY)
Barbara Chase-Riboud's first book of poetry -- edited by Toni Morrison


bcr@chase-riboud.org


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